The academic who had the most influence on our understanding
of the early heroic poetry was Sir Ifor Williams.
Williams presents his edited poetry of the bard Taliesin in Canu Taliesin [12]. Taliesin sings of Urien Rheged and his
son Owain, as well as a king of Powys and Gwallawg from Elfed near Leeds (Elmet in place-names
there). Williams believed, and many have agreed with him that Urien's Rheged
was centred on the Solway basin with its capital at Carlisle. His son Owain's
court was thought to be by the Llwyfennydd - the Lyvennet beck in Westmorland,
possibly at Crosby Ravensworth. Williams
finds references to the river Idon (the Eden) and to Gwen Ystrad, which he
takes to be the Vale of Eden. Urien was called lord of Catterick in Yorkshire
and also Lord of the Erechwydd, which Williams argued was the Lake District. The
Taliesin poetry gives a picture of a bard moving around the courts of the
rulers of the Brittonic speaking rulers of Britain from Leeds to Shrewsbury to
Carlisle and able to compose for them in the same Brittonic tongue. It recalls
the state of the Gaelic language a thousand years later when the bards could go
from Munster to Caithness composing in Classical Gaelic for the lords that
would give them food and patronage. In any case the British lands east of the
Pennines, including Catterick were lost soon after Urien's time, and perhaps as
a consequence of the collapse of the British alliance that had held the
Anglo-Saxons in siege on Lindisfarne.
The other poet whose work was edited by Ifor Williams was
Aneirin. His Canu Aneirin [15] collected the poetry of the
bard Aneirin, who, following Williams, was the court poet of Mynyddog Mwynfawr,
king of the tribe of Gododdin, whose capital is thought to have been Edinburgh.
Aneirin's works are a series of linked verses whose main job is to celebrate
the heroism of the various fighters. It seems that these fighters are drawn
from all parts of the Brittonic territories - from Pictland and Devon, Wales
and of course the North. William's view
was that after the death of Urien, the British kings of Edinburgh realised the
threat posted by the Northumbrians (a very real threat to them as the
Anglo-Saxon capture of Edinburgh less than forty years later showed). They
raised an army to strike at the enemy at Catraeth, which had so recently been
in British hands. This view has (of course) since been disputed.
Probably by accident, Aneirin's Gododdin preserved one or two fragments almost certainly not
written by Aneirin. One is a similarly heroic verse describing the victory of
Owain I of Strathclyde over the Gaels of Dal Riada and their king Dyfnwal Frych
- or Domhnall Breac in Gaelic which took place in 642, and so is much later
than the battle of Catraeth, which took place around 600. The verses of Gododdin must have come down to
Wales after being collected with other poetry in the North.
Also included within the Gododdin verses is a lullaby that
sings of a father gone hunting in the mountains and bringing fish from the
falls of the Derwent. Given the geography this might be the Cumberland Derwent
and the reference to falls and mountains makes one think of Borrowdale.
In the poetry another ostensible author is Llywarch Hen, is
Urien's cousin who took Urien's decapitated head to history after he had been
killed at Aber Lleu at Lindisfarne, possibly where the River Low runs into the
sea [16]. This has of course been
disputed. Also disputed is the claim that Llywarch was the author. Much of the
poetry laments the fall of the east of the kingdom of Powys, modern Shropshire
, to the Anglo-Saxons.
One of the most famous of the early kings of Strathclyde is
Rhydderch Hael "the generous" who reigned in the late 500s [11]. Rhydderch was a contemporary
of Urien Rheged. Rhydderch is supposed to have given support to St Kentigern. In this same period Clydno Eidyn was a lord of Edinburgh.
The Britons resisted and early Welsh poetry recalls these
epic struggles with figures like Owain Rheged, whose seat is argued to be
Carlisle, his son Owain and his cousin Llywarch Hen, who was king of Powys. The
Llywarch Hen poetry talks of the burning
of Pengwern in Shropshire and a picture unfolds of Anglo-Saxon invaders moving
gradually west and north across the island, taking land from the Britons.
In terms of geography, the Welsh poetry gives us many names
that no longer exist. Rheged of course, Arfynydd and Argoed. Llwyfennydd may be
Lyvennet, but other names such as Calchfynydd have been claimed for Kelso. Din
Eidyn is almost certainly Edinburgh and we know that Alclud is the Rock on the
Clyde. Carlisle as Lugubalium or Luel or Caer Liwelydd is not named by the
Welsh poets. Lliwelydd is a personal name that occurs in Welsh from the British
*Lugovalijon - strong in the power of the god Lug or Lleu.
Breeze discusses the name Rhosedd [17]. The place mentioned in Welsh
poetry is, he feels, Rosset, in Great Langdale.
Tim Clarkson gives and overview of the development of the
kingdom of Al clud from its origins as the tribal lands of the Damnonii [11]. He says that from the late
5th Century a vibrant new kingdom ruled from its base on Dumbarton Rock, the
Rock of the Clyde. Clarkson refers to the widely held theory that the British
Saint, evangelist to the Irish, St Patrick was a native of Strathclyde. Clancy
cites Irish sources which state that Patrick's parents were from Strathclyde [18] Patrick died between 470 and
493. Patrick wrote a letter to the British king Coroticus for raiding and
taking slaves in Ireland. Coroticus is thought to have been a king of Al Clud.
Clarkson raises the possibility that Patrick's Coroticus may be the northern
king whose name appears in the king lists as Ceretic Guletic, where Guletic
means prince or ruler [11].
As well as the poetry, the later medieval Triads of the
Island of Britain, mnemonics used by the
bards to remember characters and points of history, mention a whole host of
characters and places from the Old North [19]. These will be discussed at
greater length below.
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